While my work has shown changes over the past few years, notably in a spreading out of subject matter, it is also true that I tinker a lot behind the scenes. Most of these experiments are not game-changing ones, and most are not even really intentional. But sometimes, at the start of a piece I'll just decide to do something different for no reason in particular.
The last time I did a couple of still life paintings, I did them in a limited palette, as discussed in the videos that resulted. I don't always work in limited palettes, but have done so more often in the past year or two.
When I painted this still life at the very end of 2016, for no particular reason I decided to choose a limited palette: Titanium White, Cadmium Yellow Medium, Perylene Red, and Ultramarine Blue. I hadn't used that Red much, and wanted to experiment a bit more with it.
Happy with the result, when a few days later I did another small painting, and my first of 2017, I took my palette out of the freezer (where I store it between sessions) and, noting that I had quite a bit of paint left, decided to just continue using it, albeit with a very different overall color cast.
So this second piece uses the exact colors as the prior one. It's been fun to do this from time to time. I don't know if it'll stick long-term or just remain a way of working on occasion. What I do know is that following this piece, I then worked on a larger 18x24" landscape piece for my Times and Seasons series, and what do you know: I just kept on working with that palette, although in that case I did add Cadmium Yellow Pale because Medium did not have the punch needed for some of what I was doing there. I look forward to sharing that with you soonish.
From there, I took a few days away from the easel to do an event and start working on taxes and stuff, so that paint won't be usable anymore next time I sit to paint. So it's off to a different thing.